{"title":"English Drawing Room Collection","description":"","products":[{"product_id":"1908-british-sports-full-red-leather-book","title":"1916 “British Sports: Yachting and Rowing\" XL Full Morocco Red Leather Book, First Edition","description":"\u003cdiv class=\"flex max-w-full flex-col flex-grow\"\u003e\n\u003cdiv data-message-model-slug=\"gpt-4o\" class=\"min-h-8 text-message flex w-full flex-col items-end gap-2 whitespace-normal break-words text-start [.text-message+\u0026amp;]:mt-5\" dir=\"auto\" data-message-id=\"d54d18e7-cf56-4889-810b-3d2e012bdb5a\" data-message-author-role=\"assistant\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[3px]\"\u003e\n\u003cdiv class=\"markdown prose w-full break-words dark:prose-invert light\"\u003e\n\u003cp data-start=\"138\" data-end=\"710\" class=\"\"\u003eThis 1916 edition of \u003cem data-start=\"159\" data-end=\"210\"\u003eBritish Sports and Sportsmen: Yachting and Rowing\u003c\/em\u003e is a beautifully crafted volume that offers a rare glimpse into the world of elite British sport during the Edwardian era. Lavishly bound in full red Morocco leather with ornate gilt borders, raised bands, and marbled endpapers with gilt dentelle detailing, it was designed as both a reference and a showpiece. The book opens with a portrait of King Edward VII, a devoted yachtsman and member of the Royal Yacht Squadron, setting the tone for the aristocratic sporting traditions covered throughout.\u003c\/p\u003e\n\u003cp data-start=\"712\" data-end=\"1236\" class=\"\"\u003eInside, the volume features dozens of rich photogravure plates—far superior to standard printing of the time—showing elegant racing yachts, regattas, and rowing events. You'll also find full-page portraits and biographical sketches of the men who defined the sport during this period: admirals, members of parliament, lords, and other figures from Britain’s upper class. This wasn’t just a book about sport—it was also a subtle social register, capturing a moment when leisure, competition, and status were deeply connected.\u003c\/p\u003e\n\u003cp data-start=\"1238\" data-end=\"1654\" class=\"\"\u003eCompiled and edited by “The Sportsman,” the text offers insight into the culture of yachting and rowing, from clubs and rules to events like the Henley Royal Regatta. As part of the \u003cem data-start=\"1420\" data-end=\"1450\"\u003eBritish Sports and Sportsmen\u003c\/em\u003e series, this volume was published in a limited run for a select audience. These books were privately printed on high-quality paper and bound by hand—far from mass-produced, and increasingly scarce today.\u003c\/p\u003e\n\u003cp data-start=\"1656\" data-end=\"1789\" class=\"\"\u003e\u003cstrong data-start=\"1656\" data-end=\"1789\"\u003eFirst and only edition, published in 1916 as part of a privately printed, limited-run series. No subsequent reprints were issued.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-pre-wrap leading-[1.7]\"\u003e[d]Title | British Sports and Sportsmen: Yachting and Rowing [d]Author | Compiled and edited by \"The Sportsman\" [d]Publisher | Privately printed, limited run [d]Date | 1916 [d]Edition | First and only edition [d]Binding | Full red Morocco leather with ornate gilt borders, raised bands, and gilt dentelle detailing [d]Dimensions | 15.25 in H x 11 in W x 2 in D [d]Illustrations | Dozens of photogravure plates, full-page portraits [d]Origin | England [d]Language | English\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-pre-wrap leading-[1.7]\"\u003e[condition] The binding is tight and the leather remains in very good condition, with only minor rubbing consistent with age and handling. Some foxing is present on the tissue guards, which is common and expected in books of this period and does not affect the plates or text pages. The pages are clean and bright throughout. A very good copy of a scarce and handsomely produced volume.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Austyn Marie","offers":[{"title":"Default Title","offer_id":49811027067158,"sku":"AMD-0387","price":450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/4623\/5926\/files\/B83D1045-B2A7-4412-B768-372F33BFD452_1_105_c.jpg?v=1759770022"},{"product_id":"english-oak-and-silver-plate-tankard-sheffield-circa-1910","title":"Antique English Oak and Silver Plate Tankard, Sheffield","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCoopered oak tankard with silver plate mounts, made in Sheffield around the turn of the century and marked JB \u0026amp; S on the base with a Sheffield silverplate maker's punch. The mark and arrangement match Jonathan Bell \u0026amp; Sons of Sheffield, registered circa 1897, though I have not confirmed this absolutely. The body is built like a small barrel from staves of English oak, bound with three polished silver plate hoops secured by rivets and capped at the top with a silver plate rim. The handle is a clean S-curve in silver plate with a generous thumbpiece, and a blank shield cartouche on the front waits for an engraved monogram, presentation date, or initials. These were sold as wedding, christening, and Christmas gifts for use with ale or cider, and most surviving examples come engraved. This one does not, which is a small thing but a real one for anyone who wants to use it as-is or add their own family detail. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e[d]Type | Tankard \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e[d]Maker | Marked JB \u0026amp; S, in the manner of Jonathan Bell \u0026amp; Sons, Sheffield \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e[d]Material | English oak with silver plate mounts\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e[d]Hallmark | JB \u0026amp; S in four separate pseudo-hallmark cartouches, with capacity number 5 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e[d]Origin | England, Sheffield\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e[d]Age | Circa 1900 to 1920, late Victorian to Edwardian \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e[d]Style | English coopered barrel form \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e[d]Size | 6 in W x 5.25 in H x 3.75 in D \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e[d]Cartouche | Shield-shaped, blank and un-engraved \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e[condition] \u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eThe tankard is in good antique condition with honest age-appropriate wear. The oak staves are sound and tight, with light separation visible between several of the boards. This is normal shrinkage from a century of seasonal humidity changes and not structural cracking. The silver plate mounts, including the rim, three hoops, scroll handle, and shield cartouche, are all in place and securely fastened. The plate shows soft tarnish and a warm patina across the surface, with light surface scratches and small dings consistent with use. The shield cartouche is blank and un-engraved on the front. The interior shows the expected aged tarnish to the silver plate, with no holes, splits, or active corrosion. The base hallmarks are legible. No repairs or replacements detected.\u003c\/span\u003e\u003c\/p\u003e","brand":"Austyn Marie Design","offers":[{"title":"Default Title","offer_id":51314396332310,"sku":"AMD-03032","price":265.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/4623\/5926\/files\/DSA04605.jpg?v=1779826055"},{"product_id":"edwardian-brass-umbrella-stand-aesthetic-movement-circa-1910","title":"Antique Edwardian Brass Umbrella Stand","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eEdwardian English brass umbrella stand in the Aesthetic Movement taste, with a heavy iron-weighted base and traces of original cold-painted polychrome detail in the cartouches. The form is the reason to look twice. The piece is scaled down from a full hall umbrella stand, complete with curved crest rail, foliate capitals, X-form open sides centered on a diamond cartouche, and a demilune cup at the foot to catch the tips. Marked with a registered design number to the iron flange of the base, partially legible. The original iron weight is intact and the brass retains a mellow honest surface throughout.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e[d]Type | Umbrella Stand\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e[d]Material | Cast brass with cast iron weighted base\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e[d]Origin | England, Birmingham\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e[d]Age | Circa 1910, Edwardian period\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e[d]Style | Aesthetic Movement, Anglo-Japanese taste\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e[d]Size | 12.75 in H x 6.75 in W x 3.25 in D\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e[d]Marks | Registered design number stamped to the iron flange of the base, marked but illegible\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e[d]Construction | Cast brass body bolted together over an original cast iron weight\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e[d]Decoration | Stylized foliate capitals, diamond cartouche with rosette, and foliate boss to the demilune base, with traces of original cold-painted polychrome detail\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e[condition]\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe piece is in good honest antique condition with age-appropriate wear throughout. The cast brass body retains a mellow original surface with a soft mustard tone and scattered light verdigris in the recesses and around the bolt heads, particularly visible at the underside of the base and around the registered design mark. The original cold-painted polychrome details in the diamond cartouche and the base rosette have worn down to faint traces of blue-green color in the deeper recesses, consistent with use. The brass shows scattered small dents, light surface scratches, and a few areas of darker oxidation, none of which compromise the form. The cast iron weight insert is intact and seated in the base. The bolted joints are tight and the piece stands square and stable. The registered design number to the iron flange is visible but only partially legible due to surface corrosion and the recess of the stamping. No losses, no breaks, no repairs noted.\u003c\/p\u003e","brand":"Austyn Marie Design","offers":[{"title":"Default Title","offer_id":51316395933974,"sku":"AMD-03047","price":285.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/4623\/5926\/files\/JuneEnland2026-4125.jpg?v=1782155677"},{"product_id":"english-silverplate-circular-photo-frame-edwardian","title":"Antique English Silverplate Circular Photo Frame, Edwardian, Ca. 1905","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eA circular electroplated photo frame in the plain Edwardian manner, with a wide rolled molding, convex dome glass, and an oval aperture sized for a portrait photograph. The form was at its most popular between roughly 1900 and 1915, when the dressing table portrait frame was a standard of English domestic life and a conventional gift for engagements and weddings. This example has no engraving or applied ornament, which is characteristic of the cleaner Edwardian taste that had moved away from the busier surface decoration of the late Victorian decades. The original turned oak back and classic two-leg easel stand are intact and functional.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Type | Circular photo frame\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Material | Electroplated base metal, convex dome glass, turned oak back\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Origin | England, likely Birmingham\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Age | Circa 1900 to 1915, Edwardian period\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Style | Edwardian, plain rolled molding\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Outer Size | 6 in H x 6 in D\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Aperture | 4.25 in diameter, oval\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Back | Original turned oak with A-frame easel stand\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Marks | No hallmarks; silverplate was not required to carry English assay marks\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[condition]\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThe frame is in good antique condition with honest age-appropriate wear. The silverplated surface is bright and has been polished at some point, and retains good overall coverage with light scuffing and surface scratches consistent with age and use. There are no significant losses to the plating and no dents or deformations to the molding. The convex dome glass is present and intact with minor dust and age spotting visible from certain angles. The turned oak back is sound and retains its original finish, showing wear at the edges and some darkening consistent with age. The A-frame easel stand is original, functional, and stable. The frame stands correctly without wobbling.\u003c\/p\u003e","brand":"Austyn Marie Design","offers":[{"title":"Default Title","offer_id":51440357802262,"sku":"AMD-03175","price":145.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/4623\/5926\/files\/June_Enland_2026-3212.jpg?v=1781721357"},{"product_id":"victorian-photograph-album-green-morocco-brass","title":"Antique Victorian Photograph Album, Green Morocco and Gilt Brass","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThe corner mounts are what catch you first, gilt brass scrolled over the corners and a matching clasp that still closes, set against deep green pebbled morocco with horizontal ribbing across both boards. This is a Victorian photograph album, English, with all-gilt edges and heavy card leaves cut with arched windows for cartes de visite and smaller gem portraits. Four photographs remain, including a uniformed young man and two infants. One window is inscribed by hand on the reverse, \"Aunt Ellie Flintham, Born 1810,\" and one portrait carries the backstamp of the Buxton Instantaneous Photographic Studio at 47 Spring Gardens in Manchester. The 1810 date belongs to the sitter, not the album, which dates to roughly the 1880s on its construction and the studio's trade style. It reads as a serious library object more than a full family archive, and the brass work is the reason to own it.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Type | Photograph album\u003cbr\u003e[d]Origin | United Kingdom\u003cbr\u003e[d]Age | Circa 1880s\u003cbr\u003e[d]Binding | Green pebbled morocco over bevelled boards, gilt brass corner mounts and clasp\u003cbr\u003e[d]Features | All-gilt edges, arched die-cut card leaves for CDV and gem portraits\u003cbr\u003e[d]Photographs | Four present, including one uniformed man and two infants\u003cbr\u003e[d]Inscription | One window inscribed on reverse, Aunt Ellie Flintham, Born 1810\u003cbr\u003e[d]Provenance | One portrait backstamped Buxton Instantaneous Photographic Studio, 47 Spring Gardens, Manchester\u003cbr\u003e[d]Dimensions | 6.25 in H x 5.25 in W x 2.25 in D\u003cbr\u003e[d]Language | English\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[condition]\u003cbr\u003eThe morocco is sound with even wear to the ribbing and light rubbing at the corners and spine ends. The gilt brass corner mounts are firm and the clasp closes and holds. Gilt edges remain bright. Internally the card leaves are clean and stable, with the usual light soiling and a few mount edges lifting where pages have been turned over the years. Four photographs are present and the remaining windows are empty. The handwritten inscription on the reverse of one window is legible. One photograph retains a clear studio backstamp. A well-preserved example overall, structurally tight and displaying well.\u003c\/p\u003e","brand":"Austyn Marie Design","offers":[{"title":"Default Title","offer_id":51477363851542,"sku":"AMD-03400","price":295.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/4623\/5926\/files\/JuneEnland2026-5347.jpg?v=1782781657"},{"product_id":"antique-oak-letter-and-ballot-box-glazed-windows-circa-1900","title":"Antique English Oak Letter and Ballot Box with Window","description":"\u003cdiv class=\"standard-markdown grid-cols-1 grid [\u0026amp;_\u0026gt;_*]:min-w-0 gap-3\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003eA\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"1\"\u003e late Victorian to \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"20\"\u003eEdwardian English oak box \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"46\"\u003eof the kind used \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"63\"\u003eby clubs, lodges, \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"81\"\u003eand committees, \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"97\"\u003ewith a form that \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"114\"\u003eworks equally as a \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"133\"\u003eletter box or a ballot \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"156\"\u003ebox. The detail that gives it away is \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"194\"\u003ethe pairing you can see here: a slot \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"231\"\u003ecut into the hinged lid for dropping in \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"271\"\u003ea letter or ballot, and a glazed oval \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"309\"\u003ewindow on the front and the back so the \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"349\"\u003econtents stay visible inside. I bought \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"388\"\u003eit in England and brought it back by \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"425\"\u003econtainer. It is honest and well used, \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"464\"\u003ewith a present key and lock that no \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"500\"\u003elonger turns, so I am offering it as a \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"539\"\u003edecorative piece rather than a working \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"578\"\u003estrongbox.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003e[d]Type | Letter and Ballot \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"28\"\u003eBox\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003e[d]Material | Quartered English \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"32\"\u003eoak, glazed oval windows front and back\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003e[d]Origin | United Kingdom\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003e[d]Age | \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"9\"\u003eCirca 1890 to 1910, late Victorian to \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"47\"\u003eEdwardian\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003e[d]Style | Club and lodge \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"26\"\u003eform, English country house\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003e[d]Size | \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"10\"\u003e5 in H x 9.5 in W x 5.5 in D\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003e[d]Interio\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"10\"\u003er Size | 4.5 in H x 8.25 in W x 4.25 in \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"50\"\u003eD\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003e[d]Construction | Exposed \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"26\"\u003ethrough-dovetail joinery at all four \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"63\"\u003ecorners\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003e[d]Hardware | Brass hinges, \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"28\"\u003ebrass lock plate, iron key present\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003e[d]I\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"4\"\u003enterior | Single undivided compartment\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003e[d]Key | Present but non-functioning, \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"38\"\u003elock appears seized\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003e[condition]\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003eThe \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"4\"\u003ebox is in honest, well-used antique \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"40\"\u003econdition and is being sold as a \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"73\"\u003edecorative piece, not a working \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"105\"\u003elockbox. The oak has a warm finish with \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"145\"\u003escratches, small dents, and surface \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"181\"\u003emarks across the lid and sides \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"212\"\u003econsistent with long use. Both oval \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"248\"\u003eglass windows are intact. The brass \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"284\"\u003ehinges are present and the lid opens \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"321\"\u003eand closes properly. The iron key is \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"358\"\u003eincluded but does not currently turn \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"395\"\u003ethe lock, which appears to have seized \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"434\"\u003eover time, so the box should not be \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"470\"\u003erelied on to lock. At some point the \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"507\"\u003elock or its fixings were replaced, and \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"546\"\u003ethe replacement screws have come \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"579\"\u003ethrough the top of the lid and are \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"614\"\u003evisible on the outer surface. The \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"648\"\u003einterior is a single open compartment \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"686\"\u003eshowing age, staining, and old tool \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"722\"\u003emarks. Structurally the box is sound \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"759\"\u003eand sits flat. A patient buyer may be \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"797\"\u003eable to free the lock with cleaning and \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"837\"\u003eoil, but it is priced and described as \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"876\"\u003edecorative only.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Austyn Marie Design","offers":[{"title":"Default Title","offer_id":51482082672918,"sku":"AMD-03413","price":350.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/4623\/5926\/files\/JuneEnland2026-5367.jpg?v=1782782324"}],"url":"https:\/\/austyn-marie-design.myshopify.com\/collections\/english-drawing-room-collection.oembed","provider":"Austyn Marie Design","version":"1.0","type":"link"}