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Antique French Floral Oil Painting, Roses, Signed

Antique French Floral Oil Painting, Roses, Signed

Regular price $600.00 CAD
Regular price Sale price $600.00 CAD
Sale Sold out
Duties included.
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In a turquoise vase set on a plain ledge, a loose gathering of cream and blush roses and peonies leans into the light against a deep olive ground. The handling is confident and quick in the blooms, tighter and darker in the background, the way academic floral painters worked to push the flowers forward. Two petals have fallen to the ledge, the small note of transience that runs through this genre. Unsigned in any legible way and unidentified, which is usual for decorative floral studies of this period, many painted for the trade rather than for exhibition. It comes to me on its original unlined canvas and keyed stretcher, honest and unrestored on the front.

Details
Artist
Unidentified
Signature
Bearing an indistinct signature at the lower right, not legible
Medium
Oil on canvas
Subject
Roses and peonies in a green vase, floral still life
Origin
Continental European, likely French
Age
Circa 1900. Assessed on stretcher construction, hand-driven tacks, and surface age
Canvas Size
15 in. W x 18 in. H
Frame
Unframed
School or Movement
French floral still life tradition, 19th century. The line of flower painting that runs through Henri Fantin-Latour and the many salon and trade painters who followed him, built on a dark tonal ground with the bouquet brought forward into the light. Roses and peonies arranged in a single vase on a ledge were among the most repeated and most collected subjects in this tradition, painted across France from roughly the 1860s into the early 20th century for a broad decorative market.
Support
Original unlined canvas on a keyed wooden stretcher
Condition
See condition report below
Condition

Oil on canvas, unframed, on its original unlined canvas and original keyed wooden stretcher. The painted surface is stable. There is age craquelure throughout, most visible across the pale blooms and the olive ground, consistent with an oil film of this age. The front shows scattered small losses and rubbing: white ground visible along the left edge, a rubbed area with minor loss at the lower left near the base of the vase, and general wear along all four edges. There is a small later dab of light paint at the lower left that appears to be an old touch-in.

The canvas carries two fabric patches on the reverse, one horizontal at center and one vertical at the lower right. Examined in hand, the front is clean and stable at both points with nothing showing through, so the patches read as old reinforcement rather than active damage.

The tacking edges are intact but frayed, and the canvas is lifting slightly from the stretcher along the top edge. Wire hanging hardware has been added to the reverse and is later than the painting. There are faint pencil inscriptions on the upper right stretcher member, not legible, likely an old stock or inventory mark. The work is sold unframed.

 

#26

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