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Signed Antique French Oil Painting Floral Still Life in Tureen

Signed Antique French Oil Painting Floral Still Life in Tureen

Regular price $4,250.00 CAD
Regular price Sale price $4,250.00 CAD
Sale Sold out
Duties included.
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She arrived with a French railway freight label still stuck to her stretcher, the kind pasted on crates shipped grande vitesse across France, and behind the glassy age-cracked surface is a bouquet that spills the way real cut flowers do. Cream snowball blooms and rust-red wallflowers tumble out of a painted faience tureen, a few petals dropped on the ledge below. The signature in the lower right reads H. Cauchois, the hand of the Rouen flower painter Eugène-Henri Cauchois, and the loose, loaded brushwork matches the manner his signed work is known for. The evidence is strong but not documented to the level of a firm sole-authorship claim, so she is offered as attributed to him, with the reasoning laid out plainly below.

Details
Artist
Attributed to Eugène-Henri Cauchois, French, 1850 to 1911
Signature
Bearing a signature reading "H. Cauchois" in the lower right 
Medium
Oil on canvas
Subject
A mixed summer bouquet of white snowball blooms and red-orange wallflowers in a painted faience tureen, with fallen petals on the ledge
Origin
French
Age
Antique, circa 1880 to 1905
Canvas Size
26 in. W x 21.5 in. H
Frame Size
34 in. W x 30 in. H
Format
Horizontal, framed
Frame
Period giltwood and composition frame with foliate and beaded moldings, original to the era of the work
School or Movement
Late 19th-century French floral still life, in the loose near-Impressionist manner. Cauchois trained in Paris under Ferdinand Duboc and Alexandre Cabanel and drew on the flower painter Ernest Quost. Working from the 1870s onward, painters in this vein moved away from the tight finish of the academy toward rapid, thickly loaded brushwork that caught the freshness of cut flowers. The style prized liveliness and color over polish, which is why the blooms here are built from quick dabs of heavy paint rather than blended detail.
Support
Plain-weave linen on a keyed wooden stretcher, unlined
Provenance
Bearing a French railway "Grande Vitesse" freight label to the reverse, the express-goods service of the period French railways, indicating the work was shipped by rail at some point in its history
Notes
The signature in the lower right reads "H. Cauchois," the form used by the Rouen flower painter Eugène-Henri Cauchois, and the loose, thickly loaded brushwork is consistent with the manner his signed work is known for. I have not been able to document this specific canvas to him, so it is offered as attributed rather than as a firm sole-authorship claim. The evidence is the signature and the handling; what it is not is a provenance chain or scholarly confirmation, and I would rather you have that distinction plainly than buried.
Condition

The painting presents well overall, with a fine age craquelure across the surface that is most visible in the darker background at the upper area and is consistent with a canvas of this age. The paint film reads as stable in the photographs, with the loose impasto of the flowers well preserved. From the reverse the canvas appears unlined, on its original keyed stretcher, with age-toning to the linen and some flecking of the original tacking margins. There are a few small paint losses at the extreme edges where the canvas meets the frame rebate. I have not had the surface examined under laboratory conditions, so any past cleaning or localized retouch is not something I can speak to beyond what the photographs show, and I would rather say that plainly than claim more than I can stand behind.

The frame is a period giltwood and composition piece with a foliate outer molding and beaded inner course. It carries scattered losses to the composition ornament along the outer and inner edges and rubbing to the high points of the gilding, all as shown in the photographs. The frame is solid and displays well as an original period surround.

#44

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