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Antique European Crown and Cannon Oil Painting, Unframed

Antique European Crown and Cannon Oil Painting, Unframed

Regular price $1,400.00 CAD
Regular price Sale price $1,400.00 CAD
Sale Sold out
Duties included.
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A gilt crown sits on a stone ledge beside a cannon muzzle and a laced steel leg guard, all of it pulled out of a dark ground by a single light. The raised gilding on the crown is the best-preserved passage on the canvas. The composition is cut close at both sides, and I wonder if it began as the still-life corner of a larger picture, though nothing on the work confirms that. Unsigned and unidentified, it is offered as an anonymous still life in the Baroque tradition.

Artist
Unidentified
Signature
Unsigned, as is common for still life studies of this period
Medium
Oil on canvas
Subject
A closed gilt crown with orb and cross, set with dark stones, resting on a stone ledge beside a cannon muzzle and cannonball, with steel armor laced with gilt straps and a length of plum drapery at the left edge
Origin
Spain, likely
Age
Antique, 17th to 18th century, assessed on paint handling and surface character. The stretcher and backing are later, so the reverse offers no dating evidence
Canvas Size
13.8 in. H x 17.7 in. W
Frame
Unframed
School or Movement
Baroque still life tradition. Baroque painters of the 17th century made still lifes of arms, armor, and regalia as emblems of power, often set against a deep dark ground with one strong source of light. The method is called tenebrism, and it is why the gilding on the crown seems to glow while the armor and ledge sink into shadow.
Support
Canvas, relined per the previous seller, tacked to a later wooden stretcher with a coarse woven backing cloth across the reverse

Antique condition consistent with age and previous restoration. The canvas has been relined and re-varnished, which was disclosed by the previous seller. The varnish is discoloured and glossy, and the surface undulates under raking light. A fine craquelure network runs throughout, with small flake losses concentrated in the darker passages. The gilded crown is noticeably better preserved than the surrounding darks. A vertical linear mark runs through the left third of the canvas, and I have not been able to determine whether it is a crease, a seam, or a stretcher bar showing through.

The painting is unframed. The canvas is tacked around the sides of a later wooden stretcher with small corner pieces, and the reverse is closed with a coarse woven backing cloth edged with paper tape. It is fitted with two D-ring hangers and picture wire, with felt bumpers at the lower corners. The stretcher is not original to the work, and the relining has likely removed any labels or marks that once appeared on the original reverse.

Please review all photographs closely, as they form part of this description.

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Every antique and vintage item we carry has lived a life before arriving in your home. These are not factory-made products. They are objects with history, character, and the marks of time.

Age-appropriate wear, patina, minor imperfections, and signs of previous use or repair are inherent to antique and vintage items and are not considered defects. These characteristics are part of what makes each piece unique and are often what give it its beauty and value.

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Descriptions, dates, attributions, materials, and measurements are provided in good faith and reflect our best assessment based on research, physical examination, and the information available to us. Antique and vintage pieces often carry incomplete or unverifiable histories. Where a detail is an assessment rather than a confirmed fact, it is identified as such. Measurements are approximate. All items are sold as-is, with the photographs and condition report governing.

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