Austyn Marie
1907 "Lord Macaulay’s Essays and Lays of Ancient Rome" Red Full Leather Book
1907 "Lord Macaulay’s Essays and Lays of Ancient Rome" Red Full Leather Book
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Written In English
Prize Binding
This volume, titled Lord Macaulay’s Essays and Lays of Ancient Rome, was published by Longmans, Green, and Co. in 1907, as indicated on the title page, which notes a “New Impression (1906)” and subsequent reissue in 1907. It brings together two of Thomas Babington Macaulay’s most renowned contributions to Victorian literature: his critical and historical essays—originally written for the Edinburgh Review—and his collection of narrative poems, Lays of Ancient Rome (first published in 1842). Macaulay’s essays address figures such as Milton, Machiavelli, and Addison, reflecting the author’s Whig view of history and his championing of liberal progress. The Lays of Ancient Rome dramatize early Roman legends, celebrating heroism and civic virtue in a style that captured Victorian enthusiasm for classical antiquity. Macaulay wrote these works at a time when British intellectual life was deeply invested in historical analysis, moral instruction, and the shaping of national identity—an era that prized both literary finesse and didactic clarity. The book’s binding is notable for its handsome red leather spine, adorned with raised bands and gilt floral compartments, creating an elegant, decorative effect typical of high-quality early 20th-century bindings. Collectively, these essays and poems offer a blend of historical insight, literary criticism, and patriotic verse, all underscored by Macaulay’s accessible, forceful prose and his fervent admiration for classical ideals.
Condition:
The condition of the volume is generally good, though the pages show scattered foxing—particularly on the frontispiece portrait and title pages—reflecting the book’s age and paper quality. The binding is strong, with the red leather spine retaining its gilt embellishments and raised bands clearly defined. Minor rubbing is visible along the edges and corners, but there are no significant structural flaws, and the boards remain firmly attached. Internally, aside from the foxing, the text is legible and the illustrations and portrait are still distinct, making this an appealing collectible that combines an attractive early 20th-century presentation with Macaulay’s enduring literary and historical significance.
No return or exchanges
No return or exchanges
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